Saturday, March 13, 2021

“Reply 1988” synopsis by episode (Eps. 1-20, no spoilers) with analysis of Wes Anderson’s influence on this drama’s cinematography, colors, and characters

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South Korea from 1980s up to 1993


Jump to synopsis of Ep. 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 14; 15; 16; 17; 18; 19; 20 (Finale); How I wrote these episode summaries without spoilers; Historical / cultural backgrounders and other information; Wes Anderson’s influence on the cinematography, colors, and characters of “Reply 1988”; Lessons in photography from “Reply 1988” with analysis of Wes Anderson’s influence on the cinematography, colors, and characters

From Wikipedia: “Reply 1988” is a South Korean television series starring Lee Hye-ri, Park Bo-gum, Go Kyung-pyo, Ryu Jun-yeol, and Lee Dong-hwi. Beginning in the year 1988, it revolves around five friends and their families living in the same neighborhood of Ssangmun-dong, Dobong District, Northern Seoul. It aired every Friday and Saturday from November 6, 2015, to January 16, 2016, on tvN for 20 episodes. Genre: family, comedy, romance

“Reply 1988” is the third installment of tvN’s Reply series [all written by Lee Woo-jung]. It received both critical and audience acclaim with its finale episode recording an 18.8% nationwide audience share, making it the fourth highest rated drama in Korean cable television history.

The drama and its cast won the following awards:

- 52nd Baeksang Arts Awards: Best Director, Shin Won-ho; Best New Actor, Ryu Jun-yeol.

- 5th APAN Star Awards: Best Director, Shin Won-ho; Best New Actor, Park Bo-gum; Best New Actress, Lee Hye-ri.

- tvN10 Awards: Grand Prize (Daesang), Drama, Reply 1988, and Best Content Award, Drama.

- Asia Star Award: Special Acting Award, Park Bo-gum; Rising Star Award, Actor, Ryu Jun-yeol; Rising Star Award, Actress, Lee Hye-ri.

How I wrote these episode summaries without spoilers


1. I assumed that you will be reading these summaries and watching the videos chronologically.

2. I narrated some of the main actions in each episode without revealing the plot’s twists and turns.

3. At the beginning of each summary starting with Episode 2, I placed in a table a recap of the major twists and turns of the previous episode. But because you have already watched the video of the previous episode, they aren’t spoilers anymore.

4. I followed this structure all throughout, except for Ep. 20 (Finale) where I included spoilers. Reason — most people want to know if the drama has a good/happy ending or a sad ending before they invest the time in watching it.

Episode 1: “Hand in Hand”


September 1988 ... Five teenagers sit around a TV set watching their favorite show “Better Tomorrow 2.” They are Ryu Dong-ryong (“Counselor”), Kim Jung-hwan (“Dog”), Taek (a genius baduk player), Sun-woo (a quiet guy), and Sung Deok-sun (the only girl in the group). They’re a close knit group of friends who live in adjacent houses on a little street named Ssangmundong, with quirky parents who are also close to each other.

Deok-sun is the middle child of a family with three children; her older sister Bo-ra, whom she’s always fighting with, is a student in Seoul University. Despite her family’s financial problems, her parents are proud of her having been chosen as a picket girl for Madagascar in the upcoming Olympics opening ceremonies.

Sun-woo, Jung-hwan, and Dong-ryong all go to the same boys’ school; being a professional baduk player, Taek doesn’t have to go to regular school. Sun-woo is the class president, while Jung-hwan is an avid football player. Besides worrying about the class gift for their teacher’s upcoming wedding, they also worry about thugs who are targeting students.

The Olympics opening ceremonies are only a few days away, but the families are hit by various crises — Sun-woo’s mother finds a pack of cigarettes in his room, Jung-hwan continues being emotionally distant with his mother, and Duk-seon gets fed up with her parents’ preferential treatment of Bo-ra and her younger brother No-eul.

(L-R): Deok-sun, Jung-hwan, Taek, Dong-ryong, and Sun-woo.


Episode 2: “The one thing you’re mistaken about me”


Ep. 1 recap:

The adult Deok-sun narrates that she married a guy she has known since her teenage years.

Sun-woo’s father died several years ago. His mother thus asks his uncle to be a father figure to him. On the other hand, Jung-hwan’s mother gives him a new pair of sneakers.

Despite Madagascar pulling out of the Olympics, Deok-sun still gets a part in the Olympics opening ceremonies. Later, her father buys a birthday cake just for herself.

A month later, carbon monoxide leaks inside Deok-sun’s house; her parents bring her sister and brother to safety, but she has to rescue herself.
Jung-hwan’s father brings home and tries out a video camera with his family. Meanwhile, the rivalry between Deok-sun and her sister Bo-ra continues as their grandmother pays them a visit.

The families celebrate when Taek wins the biggest baduk competition in Korea. The boys want Taek to secretly bring them a bottle of wine after he returns from a competition in China, but Deok-sun threatens to report them to their parents.

In October, after the Olympics are over, Deok-sun’s grandmother dies. While travelling to their grandmother’s house, Bo-ra cautions Deok-sun and her brother that they must be strong on behalf of their parents.But when they arrive, they’re surprised to see their parents and relatives partying instead of mourning.

In school, Sun-woo gets into trouble with a senior student who bullies him after their football game. Later on, after puttting on disguises, he, Jung-hwan, and Dong-ryong succeed in getting inside a theater to watch a racy movie. But during a break, they get caught by a teacher; the bully and his group have also been caught.

Taek wins the baduk tournament in China, but he comes home to an empty, dark house.

(L-R): Sun-woo, Jung-hwan, and Dong-ryong.


Episode 3: “Not guilty if you’re rich, guilty if you’re poor”


Ep. 2 recap:

Deok-sun’s father and his siblings break down when their eldest brother from the USA arrives at the funeral wake.

A fight breaks out when Jung-hwan defends Sun-woo by punching the bully.

Taek’s friends surprise him with a birthday party. As they drink the wine, Deok-sun joins them.

After Deok-sun leaves the party, all the boys, except Jung-hwan, begin saying that she has become pretty in recent days.

At home, Deok-sun finds out that Bo-ra has been reading her diary. Bo-ra teases her about the boy whom she likes and to whom she gave chocolates.
Flashback, August 1988 ...

While Deok-sun and her friends from high school practice their dance routine for the school retreat, the boys arrive, and Deok-sun tells them she wants more “ddukbokki” (spicy rice cake). Later, when the boys leave, her friends tease her that the boy who offered her ramyun really likes her.

October 1988 ...

The TV blares out the news about escaped prisoners.

Deok-sun’s parents argue over how tight their financial situation is and how miserable they have been living in a half-basement; meanwhile, Jung-hwan’s parents also argue about money.

Deok-sun continues to practice her group’s dance routine in Taek’s room; she’s intent on winning the Walkman, which is the prize for the first place.

Deok-sun’s mother somehow manages to get some money for her school retreat. Her father also provides her with two rolls of film for the family camera.

At the retreat, Deok-sun’s friends want to see the talent contest of the boys’ school, and so they jump over a fence; they end up having their arm and leg broken. Frantic, Deok-sun bribes the boys to help her out with her talent contest.

After the talent contest, Dong-ryong’s father finds out that he and his friends skipped over to the girls’ high school. As they run away from Dong-ryong’s father, Deok-sun and Jung-hwan get separated from Sun-woo and Dong-ryong.


Episode 4: “Can’t help~ing”


Ep. 3 recap:

After being teased by her school friends, Deok-sun begins to develop feelings for Sun-woo.

Deok-sun’s father gets called to the school because his son has been caught selling things to other students; he finds out to his shame that his son is teased mercilessly by his classmates about living in a half-basement.

Jung-hwan’s brother won the lottery, making them the wealthiest family in their neighborhood. But, to the consternation of his mother, his father remains tightfisted about spending money.

Deok-sun loses the camera and the bottle of whiskey, but she wins the Walkman. Later, as they hide from Dong-ryong’s father, Jung-hwan begins to feel some stirring of emotions for Deok-sun.
November 1988 ...

Deok-sun surprises her parents by saying that she wants to go to college and thus have a tutor to help her prepare. But her father suggests that Bo-ra instead tutor her; later on, he suggests other ways she can improve her focus.

Deok-sun’s parents fight again, and her mother can’t help notice how Jung-hwan’s father treats his wife with love and gentleness. Jung-hwan’s father, however, later becomes depressed.

For the first time in his life, Taek loses a baduk match. All the parents become careful with their words and actions around him; they also warn his friends to be sensitive of his feelings and not to remind him of his bitter loss. But his friends do exactly the opposite — they berate and curse him for losing.

Deok-sun finally agrees to be tutored by Bo-ra when she finds out that Sun-woo will be part of the study group. Jung-hwan and Dong-ryong also join the study group. After math, Bo-ra tests the group’s level of English skills.

Episode 5: “Preparation for winter”


Ep. 4 recap:

In order to improve her focus, Deok-sun’s father tells her to learn how to play baduk with Taek; later on, he tells her to learn how to solve the Rubik’s cube.

In the study group, Deok-sun and Dong-ryong give up on math, but they do better with English.

Taek’s friends help him get over his first loss in a baduk game by making him shout out curses and by holding an impromptu dance party.

Jung-hwan becomes concerned about his father’s depressed mood; he follows Dong-ryong’s advice and goes along with his father’s funny antics.

After a surly time at a restaurant, Deok-sun’s parents share an umbrella under the rain.

Jung-hwan’s feelings for Deok-sun deepens; in the bus, he protects her from being crushed by the other men.
Protests erupt in universities when former President Chun Doo-wan goes into exile in a Buddhist temple rather than being charged by the government. The protesters are met by the security forces who fire teargas and arrest anyone they can. To their horror and dismay, Deok-sun’s parents find out that Bo-ra is taking part in the protests.

Sun-woo’s mother becomes moody when her mother-in-law comes to visit her and the children. Meanwhile, Jung-hwan’s mother has to leave home for two days to attend to her injured mother; before leaving, she gives detailed instructions for her husband and sons.

To everyone’s surprise, Deok-sun begins spending time in the library. Jung-hwan, however, becomes jealous with her interaction with the other boys, especially with Sun-woo.

After her altercation with her mother-in-law, Sun-woo’s mother panics when she finds out from her brother that their mother is coming to Seoul for a visit.

As her father falls asleep while guarding her room, Bo-ra sneaks out of the house. Her mother finds out about it, however, and runs out of the house under the rain to look for her. To her mother’s shock, Bo-ra is arrested by the security forces.

Episode 6: “The first snow is coming”


Ep. 5 recap:

Sun-woo’s mother finally blows up at her abusive mother-in-law, refusing to accept the money for Sun-woo and her daughter.

Jung-hwan takes Dong-ryong’s advice and uses it to uplift his mother’s sour mood.

Despite her parents’ pleas with the security forces, Bo-ra is thrown into jail.

Instead of studying, Deok-sun sleeps in the library. As she returns home late under the rain, she sees Jung-hwan waiting for her with an umbrella.
Jung-hwan becomes jealous of Sun-woo and his interactions with Deok-sun. Later, Deok-sun tells her friends that she feels Sun-woo will soon confess his love for her.

Taek goes back to China for the baduk competition, but he faces an uphill climb because as the only remaining Korean in the competition, he has to beat five players from China and Japan in a row. Before he leaves, Dong-ryong promises that they will watch a movie if he wins the competition.

As the competition begins, Taek’s father stays tuned to the radio broadcast; Deok-sun and the boys gather in Taek’s room to await the results.

Bo-ra surprises her family by driving home a car, which she claims belongs to a "sunbae." Meanwhile, Jung-hwan’s elder brother begins sending to a radio program postcards dedicated to Bo-ra. When Deok-sun finds out about it, she also sends a postcard for Sun-woo.

Despite a scary driving experience with her family, Bo-ra volunteers to drive Sun-woo’s mother to see her ailing daughter.

The first snow falls, and Sun-woo excitedly goes to Deok-sun’s house.

Episode 7: “To you”


Ep. 6 recap:

Despite the odds against him and his physical condition, Taek wins the baduk competition in China.

To her utter disappointment, Deok-sun finds out that Sun-woo is in love with Bo-ra. But Jung-hwan is ecstatic about it.

Sun-woo confesses his love for Bo-ra, while Taek calls up Deok-sun, asking if she wants to go see a movie with him.
Bo-ra rejects Sun-woo’s confession of love, saying that she already has a boyfriend.

December, 1988 ...

The boys and girls draw lots for their “Secret Santa” exchange of gifts. Jung-bong (Jung-hwan’s brother) wants an LP of the college music festival, while No-eul (Deok-sun’s brother) wants an erotic novel. Deok-sun becomes even more jealous when she finds out that Sun-woo has picked Bo-ra’s name. On the other hand, their parents meet to plan what gifts to give to their children. Out of guilt, Deok-sun’s parents promise to give Jin-joo, Sun-woo’s sister, a snowman.

Taek goes to Busan for a baduk game, while his father is scheduled for a TV interview. While in Busan, he calls up Deok-sun asking for suggestions on what Christmas gift to give.

Deok-sun goes to a MacDonald’s in Gangnam with her friends; there, her friends tease her to call up her boyfriend to join them.

Two days before Christmas, and it doesn’t snow. The parents become frantic about Jin-joo’s snowman, and so, Deok-sun’s father asks Taek’s father to make a snowman made of ice.

Christmas Day comes, and its unseasonably warm. The snowman made of ice melts, while Deok-sun doesn’t receive any gift.

Episode 8: “One warm word”


Ep. 7 recap:

Coming home from MacDonald’s, Jung-hwan gives Deok-sun hints about what he really feels towards her. But Deok-sun doesn’t understand him.

Through the TV interviewer’s prodding, Taek’s father opens up with his feelings and says “I love you” to Taek. For his birthday, Taek gives him pink mittens, the result of a misunderstanding with Deok-sun.

Taek drew Deok-sun’s name for the “Secret Santa,” but he forgets all about it. Jung-hwan, however, gives Deok-sun the gift she wants most — pink gloves.

To the parent’s surprise, Sun-woo tells them that to Jin-joo, “snowman” simply means “ice cream.”
Deok-sun warns her friends not to tease her about Jung-hwan especially because of her embarrassing experience with Sun-woo; later, a small crisis hits her family when her mother learns that some money is missing from her wallet.

The friends meet in Taek’s room and make arrangements for their group movie date, especially on how Taek will get to the theater. While eating ramyun, they also worry about Jung-bong and his upcoming heart surgery. Meanwhile, after Jung-bong’s mother gets a massage, the mothers recall how difficult life was for her years ago.

Bo-ra finds out that her boyfriend cheated on her. On the other hand, Deok-sun learns that her brother No-eul has a girlfriend but is afraid of breaking up with her; later on, she and her friends meet on the street No-eul and his girlfriend.

The night before his heart surgery, Jung-bong tells his mother that he’s afraid of what could happen to him.

Episode 9: “Crossing the line”


Ep. 8 recap:

Deok-sun’s father has been taking money from her mother’s wallet.

Bo-ra breaks up with her boyfriend; while she’s grieving, Sun-woo appears and tells her how she comforted him the day that his father died. He also kisses her on the cheek.

Deok-sun and her friends engage Soo-kyung (No-eul’s girlfriend) and her friends in a street brawl; they all end up in jail. Later, after her parents find out that Soo-kyung and her sister live only by themselves, they invite them home for dinner.

Jung-bong’s heart surgery goes well. As he wakes up, he asks Jung-hwan about his nose bleeds.
1989 ...

The year doesn’t start well for Sun-woo and his family, with Bo-ra telling him not to bother her and his mother finding out that her mother-in-law has defaulted on a ten million won loan, with their house as collateral.

Taek’s father becomes depressed because of a friend’s death. Later on, he’s found unconscious on the floor of his shop and rushed to the hospital.

Because of his father’s hospitalization and his coach’s inability to accompany him to a baduk tournament in China, Taek says that he can go there and join the competition by himself. But to her surprise, Deok-sun is allowed by her father to go to China and look after Taek.

The tournaments begins, with Deok-sun stuffing herself with food, being bewildered by all the media hoopla, and complaining about the discomforts of their assigned rooms. Meanwhile, the mothers take turns in taking care of Taek’s father.

Bo-ra is arrested during a massive student protest, but luckily, she doesn’t end up in jail but is dumped on a street somewhere. Gar away from home and with only some loose change in her pocket, she begins calling up her boyfriend, her family, and friends for help. But she only gets busy signals.

Episode 10: “Memory”


Ep. 9 recap:

After attending the concert, Jung-hwan and Deok-sun have their picture taken.

Taek’s father suffers from a stroke due to cerebral hemorrhage.

Taek’s father is the childhood friend of Sun-woo’s uncle; because he appreciates everything that Sun-woo’s mother did for him after Taek’s mother died, he lends her the ten million won to pay off the loan.

Deok-sun takes care of everything for Taek during the tournament -- food, clothes, etc. After Taek wins the tournament, she and Taek have their picture taken.

Sun-woo picks up Bo-ra and becomes adamant that he will not give up his feelings for her.

Jung-bong is arrested after he comes near ex-President Chun Doo-wan at the temple.
Taek’s father becomes well enough to leave the hospital, and the mothers, especially Sun-woo’s mother, continue to look after his needs.

Deok-sun’s friends set her up with a blind date, and they tell her to test what Jung-hwan’s feelings are for her by telling him about the blind date. Meanwhile, Bo-ra goes to the library and returns the concert ticket that Sun-woo gave to her.

Dong-ryong becomes depressed on his birthday because his mother failed to fulfill her promise to him. The next day, on his own birthday, Jung-hwan’s father also becomes depressed despite having bought a new car.

During the birthday party for Jung-hwan’s father, everyone becomes shocked when they find out that Dong-ryong has run away from home. Deok-sun’s mother orders Bo-ra to drive for Deok-sun, Jung-hwan, Sun-woo, and Taek as they search for Dong-ryong.

Episode 11: “Three prophecies”


Ep. 10 recap:

Jung-hwan tells Deok-sun not to go to her blind date.

The friends find Dong-ryong at the beach, but with no extra room in the car, they leave Deok-sun and Taek behind.

Both busy with their own careers, Dong-ryong’s parents don’t even realize that he had run away from home.

Jung-hwan’s father realizes that he always becomes depressed during his birthday because he misses his mother.

To the surprise of all the boys, Taek confesses that he likes Deok-sun not as a friend but as a woman.

Bo-ra agrees to start dating Sun-woo in secret.
February 1989 ...

The mothers go to a fortune teller to ask about their children; the fortune teller says that Jung-bong will come upon a great fortune, Deok-sun’s name brings her bad luck, and Sun-woo’s mother will have another child.

The floor of Deok-sun’s half-basement has to be repaired, and so, she and her family move into Jung-hwan’s house. As she and Bo-ra occupy Jung-hwan’s bedroom, Jung-hwan begins to act coldly towards her.

Deok-sun tells her friend not to confess her feelings to Jung-bong. Meanwhile, Bo-ra and Sun-woo continue their secret romance.

Sun-woo’s mother asks Deok-sun to bring some soup for Taek who’s preparing for a baduk match. To Jung-hwan’s concern, instead of just being in Taek’s room for a few minutes, Deok-sun spends several hours there.

The mothers ask Dong-ryong’s father to play "go-stop" with them; later on, Deok-sun’s father challenges Dong-ryong’s father to play against him.

Sun-woo’s mother gets a part-time job, while Jung-hwan’s parents decide to go on vacation to Japan.

Half-asleep, Jung-hwan goes to the bathroom; afterwards, by habit, he goes to his bedroom and lies on his bed. He’s stunned to see Deok-sun lying on the bed with him.

Episode 12: “Loving someone”


Ep. 11 recap:

Sun-woo and Bo-ra kiss.

Jung-hwan finds out that his mother can’t read English, while his father tells Jung-bong that his mother only graduated from grade school.

With the mothers not available to babysit Jin-joo while she goes to her part-time job, Sun-woo’s mother is forced to ask Taek’s father to babysit Jin-joo. Later, as Sun-woo comes home with Taek and takes care of him, she realizes that the fortune teller’s prophecy of her having another child refers to Taek.
February 1989, back to school for the friends ...

As he goes out for a smoke,Taek stumbles upon Sun-woo and Bo-ra hugging each other. Later on, he surprises his friends with the swear words he has been learning.

Despite being warned by her friend about a flasher who frequents the restaurant where she has a date with the boys, Deok-sun goes there; Taek is there also, despite suffering through two consecutive, drawn out baduk matches. But the boys aren’t complete with Sun-woo missing. Later on, Jung-hwan leaves the restaurant, unable to deal with the sweet interactions between Taek and Deok-sun.

Sun-woo has found out about the cozy relationship between his mother and Taek’s father. He follows his mother and learns that she has been working in the bath house, scrubbing floors, on a part-time basis.

Episode 13: “Superman returns”


Ep. 12 recap:

Jung-hwan becomes more jealous as Taek begins to show in public his affections for Deok-sun.

Jung-bong has been waiting for a letter from Deok-sun’s friend, but he gets a chain letter instead.

Sun-woo finds that his mother took on the part-time job to be able to buy him new shoes and clothes for college.
Deok-sun teases Jung-hwan by introducing to him her classmate from middle school who had a crush on her. Later on, she takes care of Taek as he refuses to eat and his father becomes concerned about his health. Taek feels so much pressure over his upcoming tournament in Japan which he has never won and the public’s expectation that he will achieve a grand slam.

After the commotion about a thief on their street, Sun-woo’s mother is teased by the other mothers about marrying Taek’s father. When Taek’s father asks her if she can accompany him for his medical checkup, she refuses.

The mothers become concerned when Deok-sun’s mother confides that she feels a lump on her chest. She and Deok-sun’s father later go to the hospital where the doctor tells her that a biopsy will reveal whether the lump is cancerous. Deok-sun’s father tells only Bo-ra about what’s happening.

Saturday comes, the day when Deok-sun’s parents will find out the biopsy results. But all the families are shocked when the TV news programs report that the airplane bound for Japan has crashed. Among the plane’s passengers is Taek.

Episode 14: “Don’t you worry”


Ep. 13 recap:

Taek isn’t on the plane that crashed, having arrived in Japan on an earlier flight.

The biopsy results turn up negative for Deok-sun’s mother.

Sun-woo learns that even his sister Jin-joo likes Taek’s father.

Taek wins the tournament in Japan and gives his trophy to Deok-sun.
March 1989 ...

Deok-sun’s father gets drunk after meeting an old acquaintance, but he comes home with a long-awaited news for his family. Later on, he and Deok-sun’s mother have a heart-to-heart talk with Bo-ra.

It’s the start of a new school year; the boys get as their homeroom teacher someone they have been dreading, and Deok-sun becomes seatmates with the class president. During lunchtime, Deok-sun finds out that her friend Mi-ok is going out on a date with Jung-bong.

Sun-woo confides in Bo-ra his fears and reservations about the relationship between his mother and Taek’s father. On their way home, he gives her a special gift.

The friends celebrate Jung-hwan’s birthday in Taek’s room; Deok-sun has given Jung-hwan a pink dress shirt as a gift, but he doesn’t wear it to the party.

Deok-sun’s seatmate, the class president, suffers a seizure and has to be brought to the school clinic. Later on, at home, Jin-joo slips and falls, with the back of her head hitting the floor. She’s rushed to the hospital.

Deok-sun goes to see Jung-hwan before going to Taek’s house. But as she stands in front of Jung-hwan’s room, Jung-bong comes out of the room, wearing the pink dress shirt that was her birthday gift for Jung-hwan.

Episode 15: “Between love and friendship”


Ep. 14 recap:

Deok-sun’s father finally becomes free of the huge debt that has hampered his family’s way of life. He tells Bo-ra that she can now afford to study for the bar exams, but Bo-ra hesitates because of Sun-woo.

Things turn out alright for Jin-joo, and Sun-woo becomes at peace with his mother’s relationship with Taek’s father.

Dong-ryong asks Deok-sun about how she really feels towards Jung-hwan.

Taek tells Deok-sun that he’s in love with someone and will soon confess his love.

The pink dress shirt that Jung-bong was wearing wasn’t Deok-sun’s gift to Jung-hwan; it was a gift from Mi-ok.
As Bo-ra watches from a distance, Sun-woo plays baseball with Taek’s father. Later, Jung-hwan’s mother leaves her and Jung-bong in charge of dinner for everyone because the mothers will be going out on a group date.

Bo-ra envies the close relationship between her father and Deok-sun; on the other hand, Deok-sun worries about the upcoming parents-teachers conference in school.

Jung-hwan’s father breaks his back and is rushed to the hospital. But all the medical staff in the emergency room are swamped with victims of an accident, and he has to wait in line for treatment.

Taek asks Sun-woo what to do if he confesses his love for Deok-sun and she doesn’t believe him. But Sun-woo reassures him that Deok-sun will recognize his sincerity through his eyes.

Despite having been involved in a previous accident and being warned by his friends, Dong-ryong goes for another motorcycle ride with his classmate. But he and his classmate meet an accident and end up in the police station.

Before he leaves for another baduk tournament in China, Taek and his friends meet in his room for a party.

Bo-ra meets Sun-woo and tells him the real reason why she quit her job.

Episode 16: “Irony of life, Part 1”


Ep. 15 recap:

The assistant chief of the hospital personally takes care of Jung-hwan’s father because he’s a baduk fan and Taek called him up, asking for help with Jung-hwan’s father.

Because of his motorcycle accident and arrest, Dong-ryong finally gets to spend some time with his mother.

During the conference, Deok-sun’s mother finds out that Deok-sun’s grades are not good enough for college.

At the party, Taek realizes that Jung-hwan is in love with Deok-sun.

Bo-ra tells Sun-woo that she will be studying for the bar exams. But Sun-woo interprets it as Bo-ra wanting to break up with him.
To Jung-hwan’s disappointment, Taek asks Deok-sun for a movie date on Saturday after his baduk match.

The mothers think about joining the auditions for the TV show National Singing Contest, despite having failed several years ago. Dong-ryong, on the other hand, wants to join a dance contest.

Bo-ra’s parents announce to everyone that she will be taking the bar exams. They arrange for her to stay in a "gosiwon" as she prepares for the exams.

The boys skip their night class so they can watch the movie "Dirty Dancing" in Taek’s room; they also talk about what they want to do with their lives. Later, Taek asks Deok-sun to give Jung-hwan the wallet which he dropped in the room.

Before Taek leaves for his match, his father musters up his courage and tells him that he wants Sun-woo’s mother by his side for the rest of his life.

While Bo-ra drives off headed for the "gosiwon," the auditions for the TV show begin, with Dong-ryong and Jung-hwan’s mother competing against each other.

As the boys leave the library they’re surprised to see Deok-sun there. When Sun-woo asks her about her movie date, she says that Taek called her up and canceled their date.

Episode 17: “Irony of life, Part 2”


Ep. 16 recap:

Dong-ryong and Jung-hwan’s mother fail to pass the auditions. But No-eul, Deok-sun’s brother, turns out to be a good singer and passes the audition.

Taek sees in the wallet the picture of Jung-hwan and Deok-sun after the concert. After calling up Deok-sun to cancel their date, he takes several sleeping pills and passes out, face down, on his bed.
April 1989 ...

Deok-sun mopes and frets over her canceled date with Taek, and things become worse when she meets an accident. Meanwhile, Jung-hwan’s father continues recuperating, and Dong-ryong suffers from hemorrhoids.

After their football game is interrupted, Taek and Sun-woo get the chance to talk about their parents’ relationship.

Bo-ra breaks up with Sun-woo.

Because of the projected record number of shooting stars that night and a TV feature about the new generation of Koreans, the friends begin thinking of what they want to do with their lives. Their parents reminisce about what their wishes were in their younger days; they also talk about their present wishes. But Deok-sun feels more pressured because she still doesn’t know what she wants to do with her life.

December 1989, a week before the friends’ senior year ends, Taek’s father finally makes his move for Sun-woo’s mother.

After the college entrance exams, Dong-ryong takes everyone to the college music festival.

October 1994 ... The friends, all adults now, come back to their neighborhood to celebrate Taek’s birthday.

Episode 18: “Goodbye first love”


Ep. 17 recap:

Jung-hwan goes to military academy, while Sun-woo is accepted into medical school. In a minor miracle, Jung-bong qualifies for law school. Deok-sun and Dong-ryong, meanwhile, start reviewing again for the college entrance exams.

October 1994 ... Sun-woo is a medical resident, Jung-hwan is a military officer, and Deok-sun is a flight attendant.
Taek’s friends and family, including a grown up Jin-joo, celebrate his birthday. As their birthday gift, the friends give Taek a pager.

Sun-woo and Bo-ra meet again; Deok-sun has just dumped her boyfriend; Taek goes out on blind dates; and Jung-hwan hasn’t given his ring from the military academy to any woman.

Bo-ra’s friend sets her up on a blind date with a genius third-year med student from Yonsei University. Meanwhile, Deok-sun turns down her friends’ invitation to watch "Forrest Gump" because she plans to go to a concert with her date.

Deok-sun gets a message on her pager that her date can’t come, but to avoid being teased about getting dumped, she pretends to her friends that she’s on the way to the concert. Later, as the boys, without Sun Woo, watch the movie, they see Deok-sun’s date with another girl.

Jung-hwan leaves the theater and rushes in his car to see Deok-sun at the concert.

Episode 19: “You did your best”


Ep. 18 recap:

Taek reaches the concert venue before Jung-hwan does.

As s favor to his friend in med school, Sun-woo goes to a blind date; the date turns out to be Bo-ra, who asks him if they still have another chance of renewing their romance.

In front of their friends, except for Taek who’s got a baduk match, Jung-hwan confesses his love for Deok-sun. But he makes it to appear that he’s just teasing Deok-sun.
January 2016 ... As Deok-sun and her husband continue with their interview, they argue about when they first kissed.

1994 ...

Jung-hwan’s mother goes into menopause; meanwhile, the bank at which Deok-sun’s father works begins forcing its senior employees to retire.

Sun-woo gives Bo-ra three conditions that she must comply with if she wants to start their romance again; Bo-ra asks for some time to think about the third condition.

Before leaving for a baduk match in China, Taek visits Jung-hwan at his assigned military base; he finally reveals to Jung-hwan that he did look inside the wallet and saw Jung-hwan’s picture with Deok-sun.

Deok-sun meets Taek in China, and as usual, she has to make sure that he’s eating correctly. Because of a messed up group date, Deok-sun gets locked out of her hotel room. Taek offers to let her sleep in his room, and he can sleep on the couch.

Jung-hwan’s mother begins having extreme mood swings and kicks her husband out of the house. Jung-hwan calls up his brother Jung-bong and says that he will come home and work things out for their mother’s birthday.

All the friends and their families gather at Dong-ryong’s restaurant for the birthday party of Jung-hwan’s mother and for a special surprise prepared by Deok-sun and her siblings.

Episode 20, Finale (with spoilers): “Goodbye, my youth! Goodbye, Ssangmundong!”


Ep. 19 recap:

Deok-sun confirms to Taek that they did kiss back in 1989 in Taek’s room.

Jung-hwan turns the birthday party into a wedding for his parents, who didn’t have a formal wedding. Deok-sun and her siblings, on the other hand, give their father a special plaque of appreciation.

Sun-woo and Bo-ra get back together again when Bo-ra agrees that their dating should lead to marriage. But, surprisingly, Sun-woo’s mother is against their relationship.
Sun-woo and Bo-ra get married.

The families start moving out of their neighborhood.

Two years later, Taek and Deok-sun get married.

During their interview, Deok-sun remembers going back to their old neighborhood ten years ago. She looks around the street, and, as she goes inside Taek’s house and into his room where she and her friends spent their childhood years together, she thinks:
When I went back in search of our neighborhood street, the street had aged so much. You could feel that the time had passed. I can’t go back to this street or to my youth. They are both the same.

Time will always flow. Everything will always pass by. Everything will age. That might be why youth is beautiful. It shines, blindingly bright, for just an instant. But, to it, you can never go back.

A time when many tears were shed. The time of my youth was like that as well.

1988. This is the end of our Ssangmundong story. Longing for that time and that street is not because I miss a younger version of myself. That’s the place of my father’s youth, my mother’s youth, of my friends’ youth. It’s the place that holds the youth of everything that I love.

In that landscape where we won’t be able to gather like that again, I regret being unable to say my final farewell. To the things that are already gone, to a time that has already passed, I want to say a belated farewell. Goodbye, my youth! Goodbye, Ssangmundong!


Historical / cultural backgrounders and other information


1. Videos that show life in South Korea during the time span of the drama







2. Half-basement apartments (“banjiha”) in South Korea

Deok-sun’s family lives in a “half-basement” apartment known as “banjiha,” with Jung-hwan and his more prosperous family living in the upper floor. Although Deok-sun’s family has a more upscale model, the banjiha actually looks like the dwelling that became known worldwide because of the Oscar-winning film “Parasite” by director Bong Joon-ho. Notice that in Ep. 3, Deok-sun’s brother is teased by his friends for living in a banjiha; Deok-sun herself mentions in Ep. 20 that she grew up in a banjiha.

The “banjiha” initially were bunkers that were required for houses starting in the early 1950s as a safety measure in case of an attack by North Korea. Because of the housing crisis in the 1980s, the South Korean government allowed the “banjiha” to be used as homes. As bunkers, the “banjiha” were typically five to seven steps below the street level. Students and lower class citizens typcally live in these dwellings.

For more information about the “banjiha,” please surf to “Life in a dingy basement apartment in Seoul | Video ” (Channel News Asia) and “Seoul to improve living conditions in semi-basement apartments depicted in Parasite” (Korea Herald).



3. The character “Taek” played by Park Bo-gum is a champion of “baduk” (aka “go”).

From Wikipedia: Go is an abstract strategy board game for two players in which the aim is to surround more territory than the opponent. The game was invented in China more than 2,500 years ago and is believed to be the oldest board game continuously played to the present day. A 2016 survey by the International Go Federation’s 75 member nations found that there are over 46 million people worldwide who know how to play Go and over 20 million current players, the majority of whom live in East Asia.



K-movies about 1980s Gwangju Uprising and pro-democracy movement in Korea




4. In Ep. 5 and other episodes, Bo-ra becomes involved in the protests by college students against the Korean military government and its lenient treatment of former president Chun Doo-hwan.

From Wikipedia: Chun Doo-hwan, born 6 March 1931) is a former South Korean politician and army general who served as the President of South Korea from 1980 to 1988. From December 1979 to September 1980, he was the country’s de facto leader, ruling as an unelected military strongman with civilian president Choi Kyu-hah largely as a figurehead. Chun was sentenced to death in 1996 for his role in the Gwangju Massacre but was later pardoned by President Kim Young-sam, with the advice of then President-elect Kim Dae-jung, whom Chun’s administration had sentenced to death some 20 years earlier.

Spoiler-free synopses of K-movies about 1980 Gwangju Uprising: “A Taxi Driver” (2017) and “26 Years” (2012)

5. In Ep. 15, Bo-ra starts studying for the bar exams. But she’s an accounting or Math Education major in college; so, how could she take the bar exams?

From 1963 up to 2017, South Korea had a system for entering the legal profession called “sasi” which was a nationwide test open to anyone regardless of educational background. “Sasi” is a compound word with “sabeob” (judicial) and “siheom” (exam). Those who passed the “sasi” then underwent training in the Judicial Research and Training Institute for two years.

The “sasi” was abolished in 2017 and replaced with US-style bar exam for which only law school graduates could apply. South Korean universities started establishing law schools in 2007.

For more information about the “sasi,” please surf to Bar exam fades into history in Korea; Debate grows over fate of Korea’s traditional bar exam (The Korea Herald); and Korea’s last bar exam passes 55 people (Korea Times).

6. To prepare for the bar exams (“sasi”), Bo-ra lived in a “gosiwon,” which is a small room measuring about two meters long and one meter wide. The term “gosiwon” comes from “goshi” (state exams) and “won,” a lodging or institution. Today, the “gosiwon” also serves new college graduates, employees looking for cheap dwellings, and the homeless who pay for at least a month’s rent.

From Students aren’t the only ones cramming in gosiwon (2012, Korean JoongAng Daily): “Many find they can flush the toilet while lying in bed. While some may find that convenient, more say it’s so small they can hardly move around or find space for clothes.”

From Gosiwon, modern time refuge for house poor (The Korea Herald): ”Rooms are as tiny as 3.5 square meters and furnished with a desk, bookshelf and bed. If you are lucky, you get a small refrigerator in the room. But unless you pay for the luxury of a private shower or toilet, you will have to share one with up to 40 other tenants.”

From Gosiwon reflects changing housing culture (The Korea Herald): “The popularity of gosiwon as a living space has grown rapidly in the office-packed areas of Seoul. Now there are gositels, a combination of gosiwon and hotels.”



7. The article “Small Details Of Old Korea Seen Through K-Drama Reply 1988” (Creatrip) answers a lot of questions that this drama’s viewers usually ask:
Where Is Pangyo? | Why Do Mothers Wear White Cloth Strips On Their Heads? | What Is The Democratization Movement? | Is It Really The President That Jung-Bong Saw In The Temple? | The Significance Of The 1988 Seoul Olympics | Chinese Characters Everywhere | What Is The Meaning Of, "He Who Has Money Is Innocent. He Who Has No Money Is Guilty?" | Why Can’t People With The Same Surname Get Married? | Why Couldn’t They Apply For A Passport To Go Abroad?

Wes Anderson’s influence on the cinematography, colors, and characters of “Reply 1988”


A. In its article titled “The Power of Pop Culture in Reply 1988,” Vulture (the entertainment site of “New York” magazine) says: “The show’s rhythmic cuts, symmetrical frames, and earthy color palette recall Wes Anderson ...”

Wes Anderson is an American filmmaker whose “films – The Royal Tenenbaums, Moonrise Kingdom, and The Grand Budapest Hotel – appeared in BBC Culture’s 2016 poll of the greatest films since 2000.” (Wikipedia) Although I haven’t seen any Wes Anderson movie in its entirety, I’ve read a lot of articles and seen several videos about him from Studio Binder and other sources. For example, the video titled “7 Wes Anderson Style Shots in 3 minutes” enumerates his favorite techniques:

  • symmetrical frame (draw a line down the middle of the frame, and you’ll see that the left and right halves are balanced)
  • whip pan and tilt
  • slow motion shot (with background music)
  • tracking shot
  • bird’s eye view shot
  • map shots/the plan
  • color palette (set design, costume design editing, etc).

B. Posted below are some comparisons between Wes Anderson’s style and some shots from “Reply 1988.”

B-1. Symmetrical shots from Wes Anderson
Symmetrical shots from “Reply 1988”


Notes: (1) The example immediately above illustrates what we call in photography as “Rule of Odds” which says that it’s easier to shoot an odd-numbered group than an even-numbered group. (2) There’s a reddit sub titled “Accidental Wes Anderson” where members post their symmetrical photos.

B-2. Bird’s eye view shots from Wes Anderson


Bird’s eye view shot from “Reply 1988”

Bird’s eye view shot with montage from “Reply 1988” (Taek and his father having dinner)


Bird’s eye view shot with montage from “Reply 1988” (Ep. 1, the friends crisscross each other as they give food to the other families))


B-3. Whip pan from “Reply 1988”


B-4. Tracking shots from “Reply 1988”


C. In the video titled “Color Theory and Wes Anderson’s Style -- Sad Characters in a Colorful World,” Studio Binder says that Anderson likes primary colors such as red, yellow, and other earth colors. The video also says that Anderson likes turning things upside down — he uses bright (“happy”) colors in sad scenes such as death, loss, or separation.

Here are some shots from “Reply 1988” that show these earth colors:


D. An article from “The Guardian” also says that some of Anderson’s major characters exhibit the qualities of a “man-child” (the dysfunctional grown man who’s really a juvenile). Hey, that perfectly describes Jung-hwan’s father with his endless jokes and comic antics, right? Except perhaps for Taek’s father, all other fathers in this drama can be described as a “man-child.”

Lessons in photography from “Reply 1988”

Symmetry
Symmetry
Low angle shot
Foreground and background blur
Bird’s eye view
Out of focus foreground element as partial frame
Symmetry
Rule of Odds
Natural frames
Symmetry
Background blur, compressed perspective
Low angle shot
Symmetry
Symmetry
Natural frames
Earth colors
Symmetry
Low angle shot
Linear perspective, low angle shot
Foreground blur

Friday, March 05, 2021

“Sisyphus: The Myth” synopsis by episode (Eps. 1-16, no spoilers) with in-depth analysis of its cinematography

(Click the picture above to view or download a bigger copy in another tab.)
Jump to synopsis of Episode 1; 2; 3; 4; 5; 6; 7; 8; 9; 10; 11; 12; 13; 14; 15; and 16 (Finale); How I wrote these episode summaries with no spoilers; Historical / cultural backgrounders and other information; In-depth analysis of the cinematography of “Sisyphus: The Myth”; Lessons in photography from “Sisyphus: The Myth”

From Wikipedia: “Sisyphus: The Myth,” also known as “Sisyphus,” is a South Korean television series starring Cho Seung-woo and Park Shin-hye. Labeled as “JTBC’s 10th Anniversary Special Drama,” it premiered on February 17, 2021, and is available for streaming on Netflix. Its estimated budget is approximately 18 to 22 million US dollars.

The drama is written by Lee Je-in and Jeon Chan-ho, with the following genre: drama, fantasy, mystery. It’s directed by Jin Hyuk whose previous works include “City Hunter” (2011), “Prosecutor Princess” (2010), “Master’s Sun” (2013), “Doctor Stranger” (2014), and “Legend of the Blue Sea” (2016).

“Sisyphus: The Myth” tells the story of a genius engineer named Han Tae-sul, who tries to uncover the truth behind his older brother’s death, and an elite warrior called Kang Seo-hae, who travels back in time to help him.

How I wrote these episode summaries with no spoilers


1. I assumed that you will be reading these summaries and watching the videos chronologically.

2. I narrated some of the main actions in each episode, without revealing the plot’s twists and turns.

3. At the beginning of each summary starting with Episode 2, I placed in a table a recap of the major twists and turns of the previous episode. But because you have already watched the video of the previous episode, they aren’t spoilers anymore.

4. With Episode 16 (Finale), however, I included spoilers. Reason — people who have not seen this drama want to know whether it has a good/happy ending or a sad ending before they invest their time in watching it.

Episode 1


As she’s about to go back to the past, Kang Seo-hae is warned by her father to start running once she gets there, not to trust anyone, and never to contact Han Tae-sul. She arrives in the past, lugging around a big suitcase, but she’s immediately pursued by mysterious men with weapons and handheld meters.

Han Tae-sul is a genius engineer, who’s the founder of Quantum & Time, a cutting-edge engineering company. But his profligate ways with pills and his mishandling of the company’s affairs force the board of directors to demand that he institute changes for himself and for the company. As he flies back to Korea, missing yet again another meeting with the board of directors to the consternation of his co-CEO Eddie Kim, the jetliner he’s riding on meets severe turbulence and begins to stall.

Months after the jetliner incident, Tae-sul is brought back to his house to recuperate. Meanwhile, Seo-hae has found shelter with Choi Jae-sun (Sun), the young caretaker of an eatery in a rundown neighborhood.

One night, on his way home with his bodyguard, Tae-sul meets on the street a dazed and badly beaten man. The man gives him a USB drive; on it is video footage of what really happened to the jetliner.


Episode 2


Ep. 1 recap:

Tae-sul turned to pills because of his guilt over his brother’s death. To his shock, he finds out from the USB that it wasn’t a bird strike that crippled the jetliner; a suitcase and the body of his brother Tae-San hit the jetliner’s cockpit.

The jetliner’s co-pilot, who gave the USB to Tae-su, dies when his car explodes.

Based on his calculations, Tae-sul reaches a grassy field where he finds a suitcase. At the same time, however, Seo-hae tries to reach him on the phone and warn him against opening the suitcase.
Tae-sul finds inside the suitcase things that belonged to his brother Tae-han — cellphone, grade school yearbook, papers, camera, and a key. On his way home, as he charges the cellphone, he gets a mysterious call from someone asking about the suitcase. When he arrives home, he sees his co-CEO Eddie Kim with police officers searching through the rooms.

After finding a roll of film inside the camera, Tae-sul sets up an improvised darkroom and prints out the images. To his surprise, he finds not only images of his brother but also of his upcoming conference.

Seo-hae prepares to leave for Busan to find Tae-sul. But the Control Bureau agents have tracked her down in Sun’s apartment. The agents force their way in; Seo-hae fights them off, but as they’re cornered, Sun refuses to run anymore and gives up.

Tae-sul realizes that the key is for the safe in the first office that his brother built for him in an isolated spot. But as he searches for the safe, the Control Bureau agents arrive and surround the office.


Episode 3


Ep. 2 recap:

The man who calls up Tae-sul finds out that he’s only pretending to be his brother Tae-han.

Tae-sul finds among the images that he printed an image of him and a woman in wedding attire. In a vision, he sees the woman shot by someone.

Based on the DNA test of the ashes from the columbarium, Tae-sul finds out that the ashes do not belong to his brother.

Tae-sul is captured and interrogated by the Control Bureau.
During the conference, Tae-sul presents his company’s revolutionary technology. But his presentation is disrupted when he sees his brother Tae-san in the audience. Chaos then breaks out when the gunman attacks him. Seo-hae shoots back at the gunman and leads Tae-sul away, with the police officers chasing them.

The news breaks out that Tae-sul has been kidnapped, but the police officers in charge of the investigation don’t have a clue as to who the kidnappers are. Meanwhile, the board of directors of Quantum & Time, led by Kim Han-Yong, urge co-CEO Eddie Kim to take over the company.

The Control Bureau officers investigate the crime scene and find out that the broker Mr. Park is involved.


Episode 4


Ep. 3 recap:

During the conference, Tae-sul presents his company’s technology of teleporting a substance from one place to another.

The broker Mr. Park from Asia Mart kidnaps Tae-sul and Seo-hae. Later, he brings them to an isolated warehouse where, to his shock, Tae-sul sees a person being transported from the future to the present.
The future ...

Seo-hae wanders around the deserted streets, picking up whatever resources that she can.

The present ...

As Control Bureau agents raid the warehouse, Seo-hae attacks Mr. Park and one of his men. Tae-sul escapes, taking with him the man who had just been downloaded from the future.

The past ...

Two police officers investigate a complaint by a store owner about a half-naked man who tried to rob the store. The junior police officer goes into a dark alley and finds the half-naked man; as they fight, Control Bureau agents arrive.

The present ...

Eddie Kim signs the board resolution dismissing Tae-sul as CEO of Quantum & Time.

Using a stolen car, Tae-sul and Seo-hae take the downloaded man to his house; Seo-hae explains to Tae-sul why people from the future risk going back to the past and why he’s being hunted down. Later, the man tells Tae-sul how he can meet Tae-san, but the Control Bureau agents arrive and attack the house with gunfire.

Tae-sul and Seo-hae escape from the house. The Control Bureau, however, coordinates with the police to block their escape routes; it also sends drones to chase them.


Episode 5


Ep. 4 recap:

The downloaded man was the junior police officer; he confesses to Seo-hae that he became a Control Bureau agent assigned to track her down. He went back to the past in order to make things right with his sick mother.

Seo-hae tells Tae-sul that, besides the Control Bureau, a group known as “Sigma” is hunting him down. She also says that she will do everything to prevent him from inventing the uploader.

Tae-sul and Seo-hae get cornered at a dead end bridge. As they jump into the river below, Seo-hae is shot by one of the Control Bureau agents.
Tae-sul brings the wounded and unconscious Seo-hae to Seo-jin’s office late at night, but Seo-jin finds them there. He explains to Seo-jin about the kidnapping, the uploader, and Sigma, but she refuses to believe him and threatens to call the police in the morning.

The next morning, Tae-sul withdraws money from an ATM and tells Seo-hae to live her own life so that he can continue looking for Tae-san. Seo-hae warns him that he won’t make it alive and then walks off in anger.

At their headquarters, Control Bureau officer Hyun-seung tells policeman Hyeon-gi about what the bureau is and how Seo-hae is responsible for his mother’s death.

Flashback ... Seo-hae and her father scavenge for whatever they can find in an abandoned grocery store. But the gang that controls the area arrives and engages them in a firefight.

Tae-sul goes back to his home to get the key to the safe and prepare for the party where he hopes to find Tae-san. But when the alarm system becomes offline, Eddie Kim and the security men arrive.


Episode 6


Ep. 5 recap:

Seo-hae agrees not to interfere with Tae-sul’s desire to meet his brother.

Seo-jin remembers that in her interview, Tae-san mentioned Sigma.

Hyeon-gi’s senior officer, Kang Dong-Ki, is Seo-hae’s father.

Hyeon-gi becomes part of the Control Bureau, with the primary mission of killing Seo-hae.
Flashback, August 6, 2001 ... Tae-sul continues to work on his project before meeting his potential investors the next day. Meanwhile, Tae-san sees a man lying on the subway tracks; as he tries to help, he notices that the man is holding a picture of him and Tae-sul. He questions the man about the picture, but the man stumbles away, dragging along a suitcase.

At the chairman’s party, Eddie Kim recognizes Seo-hae. As Seo-hae sees and follows Tae-san, Tae-sul meanwhile finds the transfer technology agreement between Quantum & Time and Sigma. As he tries to strangle the chairman, he’s knocked out with an injection by Seo-jin.

Tae-san warns Seo-hae to stay away from Tae-sul. As the Control Bureau agents chase after her, Seo-hae runs outside of the house, but she’s shot by Hyeon-gi.

Tae-sul wakes up in a hospital, with Eddie Kim and Seo-jin beside him. It’s August 19th, four days after he was shot during the conference.


Episode 7


Ep. 6 recap:

Seo-hae escapes from the Control Bureau with the help of Sun, the young man to whom she gave the winning lotto numbers.

Seo-jin is the chairman’s daughter; they’re helping Sigma to acquire Tae-sul’s technology in order to help Seo-jin’s sick mother.

Seo-jin drugs Tae-sul to find out where the key to the suitcase is; she also tells Eddie Kim to just do what he’s told to do if he wants to be the CEO of Quantum & Time.

Through his computation of the moon’s azimuth, Tae-sul confirms that Seo-jin has been deceiving him; it’s September 15, one month after the Busan conference. He escapes from the house and ends up in a tool market. The men from Sigma catch up with him, but Seo-hae shoots them down.
Flashback ... Sun wins the lotto based on the numbers that Seo-hae gave to him. As she regains her strength, Seo-hae warns Sun to take his family abroad and escape the impending nuclear war.

After failing to contact Tae-sul, Seo-hae goes to Asia Mart to make a deal with Mr. Park.

Despite being warned by Seo-hae to stop looking for Sigma, Tae-sul confronts the chairman of Quantum & Time.

When the chairman fails to appear at the press conference, Eddie Kim reads aloud before the reporters the Quantum & Time board resolution ousting Tae-sul as the company’s CEO.

Episode 8


Ep. 7 recap:

Seo-hae gives Mr. Park the key to the safe, but all that’s in the safe is Tae-San’s letter to Tae-sul; the letter warns Tae-sul that Sigma was close to them from the beginning.

The chairman of Quantum & Time takes his own life.

During the press conference, Tae-sul dares Sigma to come after him.
Flashback ... The downloaded man, who was found by Tae-san on the subway tracks, makes a fortune from stock trading and horse racing. Later, through his broker, he contacts an IT investor named Kim Han-yong and tells him to invest in Tae-sul’s projects.

At the Control Bureau headquarters, Mr. Park is beaten up. One of the officers threatens his family, but he also threatens the officer.

Tae-sul and Seo-hae track down the man he suspects of being "Sigma" by using the database on facial recognition. They end up in an apartment where, through a painting, Tae-sul finally learns the meaning of "Sigma."

Flashback ... 2035, on her birthday, Seo-hae goes to the amusement park where she and her mother went to when she was a young girl. Later on, she sneaks into a hospital to get some antibiotics; an orderly finds her, however, and the guards chase her.

Episode 9


Ep. 8 recap:

"Sigma" refers to the Greek myth of Sisyphus, who was condemned to an endless punishment of rolling up a stone up a mountain, only for the stone to roll down back again.

In a grave with two skeletons, Seo-hae finds a diary in which the 2020 Seo-hae pleads with her to rescue Tae-seul.
Tae-sul brings Seo-hae to the amusement park to celebrate her birthday. While there, Seo-hae sees her mother and her childhood self.

As the Control Bureau agents surround and try to capture Seo-hae, Sigma calls up Tae-sul and tells him to choose between saving Seo-hae and saving the world.

While being held captive in the Control Bureau headquarters, Seo-hae flashes back to the day when South Korea was attacked and destroyed in a nuclear explosion.


Episode 10


Ep. 9 recap:

While Tae-sul is talking with the young Seo-hae at the ice cream stand, Seo-hae (from the future) meets her mother.

The Control Bureau official injects Seo-hae with a drug that will scramble her gene structure and make her disappear forever.

Mr. Park threatens one of the Control Bureau agents, saying that he and his men will escape the next day and kill everyone in the Bureau.

Tae-sul deduces where the Control Bureau might have taken Seo-hae; he finds out that the bureau’s headquarters is in the lower floors of a hospital sponsored by Quantum & Time and where Seo-jin works. With Sun’s help, he takes control of the hospital’s computer server.
Flashback ... Seo-hae’s father, a police officer, follows up a case involving an agent of the Control Bureau. But in an elevator, he’s attacked by a man with a gun. After fighting off the man, he’s stunned to find out that the Control Bureau is looking for an illegal entrant named Gang Seo-hae.

Present times ...

As Tae-sul rescues Seo-hae, the illegal entrants escape from their cells and attack the Control Bureau agents.

At the Asia Mart, Mr. Park tells Tae-sul about the advance group of men and women who were downloaded from the future. He also tells Tae-sul that someone from the advance group — a woman named Agnes Kim — is the only one who can save Seo-hae from certain death.

Tae-sul and Mr. Park leave Asia Mart to find Agnes Kim; meanwhile, Seo-hae’s father has taken his former partner Jung Hyeon-Gi captive and asks him, at gunpoint, why the Control Bureau is looking for his 9-year old daughter.


Episode 11


Ep. 10 recap:

Tae-sul visits Seo-hae’s parents and, through Seo-hae’s necklace, explains to them about the uploader and downloader. Later, he brings Seo-hae’s father to Asia Mart to see Seo-hae.

2035 ... Despite her father’s warning, Seo-hae decides to go back to the past and try to stop the war.

In the orphanage for illegal entrants, Tae-sul finds out that Agnes Kim is Kim Seo-jin. As they’re talking, Sigma arrives.
Sigma mocks Tae-sul by saying that people will always choose to save their loved ones instead of the world. Before letting Tae-sul go with Agnes (Seo-jin), he asks, “Don’t you remember me?”

Back in Asia Mart, Seo-jin tells Tae-sul that he must travel back to whatever timeline Seo-hae is in and inject the antidote into Seo-jin at the timeline nearest to the present; if he fails, he will wander around forever in space-time. She also warns Tae-sul that he cannot change the past or the future.

Tae-sul and Seo-hae wander around in their past timelines, reliving his regrets; meanwhile, Sigma appears in the Control Bureau headquarters.


Episode 12


Ep. 11 recap:

The Control Bureau works for Sigma.

Tae-sul injects Seo-hae with the last antidote, condemning himself to wander around forever in space-time. But later, Tae-San appears and gives him the antidote.
Flashback ... Despite her father’s protest, Seo-hae wants to go back to the past. On their way to the uploader, they manage to evade the gang that has been tracking them, but they run into another gunman.

Present ...

Seo-hae reunites with her father.

Mr. Park orders his men to buy guns, dried goods, medicines, and other supplies. On the other hand, Tae-sul and Seo-hae study the painting they found in Sigma’s apartment. After finding a clue, they go to his elementary school, but the Control Bureau tracks them down there.


Episode 13


Ep. 12 recap:

2035 ... The gunman who Seo-hae and her father meet turns out to be Tae-sul’s bodyguard.

Mr. Park returns to his neighborhood where he sees himself abusing his wife.

Sigma is Seo Won-ju, Tae-sul’s abused and bullied classmate from elementary school. After learning from Tae-sul how sodium mixed with water causes an explosion, he prepares the materials in his room; after his drunken father forces open the door to his room, the combined materials explode, the house catches fire, and his father dies. Later, at the playground, he tells Tae-sul that he will kill everyone.
Tae-sul and Seo-hae are cornered inside a classroom by Sigma and the Control Bureau agents. They barricade the room, but with no way out, Seo-hae wants to come out with her gun blazing.

Flashback, 2035 ... On their way to the underground uploader, Seo-hae and her father engage in a firefight the thugs who have been tracking them.

Present times ...

Seo Won-ju (the future Sigma) is a struggling painter, who’s consumed by his jealousy and hatred towards Tae-sul. Using a fake name, he harasses Tae-sul online.

At the Quantum & Time laboratories, Eddy Kim berates the engineers for again failing to make the uploader work. But Seo-jin offers him a way to succeed.

A package meant for Seo-hae has been downloaded at the Asia Mart. Despite his assistant’s protest, Mr. Park wants to deliver it personally to Seo-hae.

Frustrated with his life, Seo Won-ju decides to hang himself inside his small studio.


Episode 14


Ep. 13 recap:

Tae-sul’s former bodyguard rescues him and Seo-hae. Later on, before he disappears, he gives a small can to Tae-sul and tells him to use it as a last resort.

Seo-jin brings Eddie Kim to a meeting of Korea’s top government officials. Presiding over the meeting is Sigma, who tells everyone about the impending missile strike.

Tae-sul and Seo-hae track down Seo Won-ju in his small studio. But before they can kill him, Tae-sul gets a call from Sigma, who blackmails him about losing Seo-hae. When Mr. Park arrives, Seo-hae sees her father’s severed hand inside the package. In rage, she shoots Seo Won-ju pointblank.
As Seo Won-ju escapes from his studio, Seo-hae runs after him; Tae-sul follows but loses track of Seo-hae. Meanwhile, Sigma convinces Eddie Kim to continue working on the uploader.

Unable to find Seo-hae, Tae-sul stops by a bridge. He remembers what his bodyguard said about the can being the last resort; he opens the can and finds inside some ashes.

Mr. Park goes back to his old neighborhood to see what’s happening to his wife; as he sees his past self abusing his wife, he grabs his gun.

Seo-hae goes to the bunker, carrying her father’s severed hand. As she looks around, she flashes back to her days growing up in the bunker.

Sun searches for Seo-hae by going back to the Chinese restaurant. But he’s captured by the Control Bureau.

With the war only a day away, the top government officials who met with Sigma leave the country.


Episode 15


Ep. 14 recap:

Tae-sul experiences the Time Paradox when he touches the ashes inside the can; his bodyguard had found his grave and placed some of his ashes inside the can.

At the bunker, Tae-sul tells Seo-hae that he had the bunker prepared for her and her parents. As the Time Paradox begins to take effect on him, he locks Seo-hae inside the bunker.

Sigma forces Sun to help find Seo-hae by threatening to bring his mother and sister back to Korea.

After buying some guns from Asia Mart, Tae-sul goes to the Quantum & Time building and calls up Sigma.
Flashback ... Seo Won-ju (the future Sigma) survives the nuclear war.

Present times ... Tae-sul traces Sigma to the basement of the Quantum & Time main office. Meanwhile, Sun gets Seo-hae out of the bunker and immediately drives her to the airport. But Hyeon-gi finds out their location by monitoring the Control Bureau communications.

2035 ... Seo-hae and her father engage the security men in a firefight, using a steel barrier as a battering ram as they run towards the uploader.




Episode 16 (Finale)


Ep. 15 recap:

After killing Sun, Hyeon-gi goes to the Control Bureau and confronts Team 7’s top official.

During the firefight, Seo-hae’s father is shot in the leg. But, excited by the challenge, Sigma allows Seo-hae to go back to the past.

Seo-hae arrives at the church, but Sigma holds Tae-sul hostage; he mocks them, saying that he has manipulated them every step of the way.
Mr. Park goes back to his old neighborhood to kill his abusive self, but his assistant Bingbing stops him. He finds out that Bingbing is his daughter Ji-eun.

After Sigma is shot dead, Tae-sul and Seo-hae go to the basement where the uploader is located. They wait until Eddie Kim leaves before they use the uploader with the help of Mr. Park and his assistants. But Tae-sul has tweaked the code so that the uploader can only be used once.

Tae-sul and Seo-hae come back to the present several hours before the incidents with Sigma in the church. To her surprise and relief, Seo-hae finds out that Sun is alive.

Based on Tae-sul’s instructions, Seo-hae’s father searches for Seo Gil-bok (aka Seo Won-ju) in the park. He finds Seo Gil-bok cowering in a corner and, in act of kindness, gives him his jacket.

Using the sniper rifle that Tae-sul got from Asia Mart, Seo-hae shoots Sigma.

Tae-sul tells Seo-hae that his vision of the future ends there. As they’re saying goodbye, Eddie Kim arrives and shoots Seo-hae. He threatens to kill Seo-hae if Tae-sul doesn’t finish the code for the uploader.

With Seo-hae bleeding to death and Eddie Kim continuing to threaten them, Tae-sul decides to take his own life to save Seo-hae and the world. Before shooting himself, Tae-sul pleads with Seo-hae to somehow find him. After he dies, the missiles on the way to hit Seoul disappear, the nuclear power station doesn’t explode, and the world continues on.


In-depth analysis of the cinematography of “Sisyphus: The Myth”


I was intrigued when I found out that Jin Hyuk was directing this drama. I saw and liked “Brilliant Legacy” aka “Shining Inheritance,” his award-winning directorial debut in 2009. As part of my synopsis for “Brilliant Legacy,” I wrote about its excellent cinematography; thus, I wanted to find out how Jin Hyuk’s visual style has evolved through the years. (Besides “Brilliant Legacy,” he also directed “City Hunter,” “Prosecutor Princess,” “Master’s Sun,” “Doctor Stranger,” and “Legend of the Blue Sea.”)

For a better understanding of terms such as arc shots, tracking shots, dolly, push in, pull out, shaky cam, etc. please read the article “Types of Camera Movements in Film Explained: Definitive Guide” from Studio Binder.

A. Just like “Brilliant Legacy,” “Sisyphus” uses a lot of arc shots (in layperson’s terms, the camera moves in an arc or completely around a character). The arc shots are oftentimes used in combination with tracking shots, push in. push out, rack focus, etc.

1. Continuous or uninterrupted shot of the fight scene on the street in Ep. 4 using arc shot and tracking shot

Tae-sul helps Hyeon-gi escape, but they’re accosted by a Control Bureau officer. The camera arcs almost 360-degrees around the officer, and as a Control Bureau car arrives, Seo-hae shoves the officer aside. The camera tracks Seo-hae as she fights off the agents. This uninterrupted shot lasts around 37 seconds.


Continuous or uninterrupted shots create an immersive experience; they make the viewers think and feel that they’re part of the scene. But uninterrupted shots, especially of a fight scene, take a lot of practice and good coordination for the actors and the cinematographer. If the actors forget the fight’s choreography or the cinematographer is out of place, they would have to reshoot the scene again. That's expensive and time-consuming.

The video below shows the continuous or uninterrupted arc shot and tracking shot of the fight scene beginning at the 0:54 mark.



2. After he’s captured in Ep. 2, Tae-sul waits anxiously in a Control Bureau cell, tries to get a signal on his smartphone, and reaches for his pills. This GIF of the scene shows two arc shots; the arc shots (which aren't smooth) help create in the viewer’s mind Tae-sul’s confusion and helplessness.


3. Same scene in Ep. 2: The Control Bureau official and agents arrive; the camera arcs around Tae-sul, pulls out to a wide shot, pushes in, and then arcs around again to show the official taking his seat opposite Tae-sul. Again, this creates in the viewer’s mind Tae-sul’s confusion and helplessness.


4. Arc shot of Eddie Kim during the press conference where Chairman Kim fails to appear and he has to announce that Tae-sul is no longer the CEO before a hostile crowd of journalists.


5. Arc shot around Tae-sul and then the camera pushes in towards Eddie Kim who’s at the dining table. (Tae-sul and Seo-hae had sneaked into the house, but the alarm system alerted the security.)


6. Tae-sul opens the door, and the camera arcs to the left. The camera pushes out, and as he starts to move forward, the camera pushes in.


7. The camera arcs around Seo-hae; at nearly the end of the arc shot, the camera is against the light. The camera then slowly pushes out for an establishing shot of her bleak surroundings.


8. Arc shots, shooting against the light, and shaky cam

(Note: See “I” below to learn what “shaky cam” is.)

In Ep. 6, Seo-hae calls up her mother but hesitates when her mother answers.

(a) The shot is against the light, and thus the colors look desaturated. As camera arcs to the left, there’s also a subtle shaky cam (unless I’m mistaken because I always get nervous staring at Park Shin Hye’s beautiful face).

(b) After the close-up of Seo-hae’s hands, the next shot is a wide shot, showing Seo-hae sitting at the bench. Notice that the camera subtly arcs to the right.

(c) The next shot of Seo-hae is also against the light, but then the camera subtly arcs to the left until the shot is no longer against the light; although a lens flare is still visible, the colors now look saturated.

I think the last arc shot was used to indicate a change in Seo-hae’s mind; later on, she goes to Asia Mart and gives Mr. Park the key to Tae-san’s suitcase.


The Problem With
Action Movies Today
B. Tracking shots in the fight scenes

Action scenes in recent Holywood movies have been criticized because of their excessive use of fast cuts and “shaky cam” that produces unrealistic, sometimes incomprehensible, scenes. As you can read from the following articles, the problem started when directors misapplied the shaky cam and quick edits as used in the “Bourne” movies directed by Paul Greengrass: “How One Movie Trilogy Ruined Action Fillms Forever”; “Have Directors Forgotten How To Film Action?”; and “Let’s Talk About Shaky Cam.” The action scenes in this drama, on the other hand, are quite realistic; we can actually see Park Shin-hye fighting with the bad guys through the use of tracking shots, medium shots, and wide shots. In the action scenes that do not use tracking shots, there’s still clarity in who does what, where, when, and how.

(1) Fight scene, Ep. 9 at the amusement park; there are two tracking shots, separated by the shot of Seo-hae's mother panicking and calling out for the young Seo-hae.


The video below shows how this fight scene was filmed.



(2) Ep. 2 is famous for Seo-hae’s close quarters, hand to hand fight with the Control Bureau agents inside Sun’s room. As you can see in the GIFs below, the whole action scene uses two tracking shots.

(a) First tracking shot: The fight begins as one Control Bureau agent points his gun at Seo-hae, who sweeps it aside. The shot lasts for about 47 seconds, ending just before Seo-hae smashes a gun against an agent’s face shield. Note: the GIF program that I use limits GIFs to 30 seconds, and so I had to divide this tracking shot into two GIFs.




(b) Second tracking shot: Seo-hae tries to get to Sun, and as an agent grabs her, she smashes a ceramic object or something on the agent’s head. The shot, which lasts around 23 seconds, ends with Seo-hae and the agent crashing through a wooden partition and on to the floor.


Note: As Seo-hae and the agent struggle, there’s a close-up of the agent’s body as Seo-hae tackles him. Next thing we see is the agent hitting the ceiling; there may have been a cut there, which could mean that the next shot of Seo-hae crashing through the (breakaway) wooden partition could have been done by a stunt double for Park Shin-hye. Notice (1) before the crash, we can’t clearly see Park Shin-hye’s face; (2) after the crash, there’s a cut to Sun; and (3) after the cut to Sun, there’s a cut to Park Shin-hye getting up from the floor. The cut to Sun would have been unnecessary if Park shin-hye herself crashed through the partition and landed on the floor.

I couldn’t find the BTS video of the Ep. 2 fight scene, and I don’t read Korean; so, I stand to be corrected on whether it was a stunt double or it was Park Shin-hye herself who crashed through the (breakaway) wooden partition and landed on the floor. But if I were the drama’s director or producer, I would have insisted that a stunt double, rather than Park Shin-hye, crash through that partition and land on the floor.

The video below shows the Ep. 2 fight scene; try to see if you can spot where the tracking shots begin and end.



(3) Ep. 2 fight scene, outside the door of Sun’s apartment, lasting around 28 seconds; besides tracking shot, the cinematographer also uses a whip pan to show (a) Seo-hae firing her gun, (b) the agents in the other house, and then (c) back again to Seo-hae.

Fight scene at the door:


Whip pan (swish pan):


(4) Ep. 2 fight scene, up the stairs and on to the roof, lasting around 30 seconds; there are two tracking shots with the first ending when Seo-hae pushes Sun towards the lower roof. From the way the scene is edited, however, it looks like it’s only one tracking shot. (Actually, there could be three tracking shots, the third being when Seo-hae jumps from the upper roof down to the lower roof.)

Fight scene up the stairs and on to the roof:


Whip pan or swish pan (after Sun lands on the lower roof, the camera whip pans to Seo-hae):


The video below (starting at the 1:32 mark) shows the Ep. 2 fight scene from the door, up the stairs, and on to the rooftop; try to see if you can spot where the tracking shots begin and end. You can also see the camera operator executing the whip pan at the 3:37 mark. (Notice that at the 2:36 mark, there’s a stunt double on standby, but Park Shin-hye does the stunt herself and seems to be enjoying herself doing the stunt.)



(5) Ep. 12, school fight scene, two tracking shots; Seo-hae is attacked by a female agent of the Control Bureau; the first tracking shot lasts for around 13 seconds. As the agent spins Seo-hae towards the staircase, there’s a cut, and the second tracking shot, lasting around 8 seconds, ends with the agent lying at the bottom of the staircase. (It could have been just one tracking shot, but I tried slowing down the video and studying it, and there seems to be a cut when the agent spins Seo-hae towards the staircase.)


C. Not all the fight scenes in “Sisyphus” use tracking shots; other scenes use “cuts” aka “edits.” (A cut is “the point at which one shot ends and the next begins. Usually made by splicing two pieces of film together.”) Despite the fast cuts, especially in the Ep. 8 fight scene, there’s still clarity in who does what, where, when, and how.

Fight scene in Ep. 4: There are five cuts showing a Control Bureau agent hitting Seo-hae on the back and Seo-hae reacting in pain.


Fight scene in Ep. 6: There are five cuts showing Seo-hae fighting off two Control Bureau agents during the party.


Fight scene in Ep. 15 between Seo-hae and Hyeon-gi: Despite the 18 to 20 fast cuts in this scene, there’s clarity in who does what and how.


Fight scene in Ep. 8: There are around 29 cuts in this fight scene between Seo-hae and the man who ran away from Sigma's apartment. (Note: I had to cut the scene because of the 30-second limit of the GIF program that I use.)


The video below shows how this fight scene from Ep. 8 was filmed.



D. Cross cutting in Ep. 4: “Cross cutting is taking two or more scenes and cutting between them as they progress; it is used to establish actions taking place at the same time, whether in the same place or not.”

In Ep. 4, Tae-sul tries to escape with Hyeon-gi from the Control Bureau agents by hacking an electric car’s computer system. Meanwhile, on the street, Seo-hae is fighting off the agents. The scenes cross cut between Tae-sul fiddling with the electric car’s system to start the car and Seo-hae fighting off the agents; the cross cutting makes the scenes comedic and exciting at the same time.


E. Chiaroscuro (interplay of light and shadow): In Ep. 10, Tae-sul goes to the orphanage looking for Agnes. After he’s captured, Sigma arrives. Notice the beautiful interplay of lights and shadows as Sigma goes through the door and approaches Tae-sul.


In Ep. 11, again, notice the beautiful interplay of lights and shadows as Sigma leaves the orphanage.


Thie video below (at the 3:30 mark) shows the beautiful chiaroscuro as Sigma enters the orphanage and approaches Tae-sul.



F. Camera roll: The article “Types of Camera Movements in Film Explained: Definitive Guide” from Studio Binder explains:

“The camera roll is a rotational camera movement that rotates the camera over its side on its long axis. Rolls can be dizzying and unnatural. For this reason, filmmakers use it to disorient the audience or create uneasiness. It’s specific effect makes it a very intentional camera movement that should only be used when wanting to elicit a discomfort in the audience.”

In Ep. 7, Sun runs from store to store in trying to bet on the lottery with the numbers given by Seo-hae. To reinforce in the viewer’s mind Sun’s state of desperation as the deadline for that day’s lottery is about to end, the cinematographer uses a “camera roll.”


G. Dutch angle shot of a moving subject

The GIF below does not show a “camera roll”; it's a Dutch angle shot of a moving subject. Oftentimes, a Dutch angle or Dutch tilt shows a static subject, but in this case, the shot shows Seo-hae walking forward towards the camera. (It seems also that the camera is pushing in towards Seo-hae.)


H. Push in and push out

Tae-sul and Seo-hae tripped the alarm system as they sneaked into the house. The camera pushes in towards Tae-sul and Seo-hae and then pushes out showing the corridor leading to the door, with Tae-sul and Seo-hae looking at each other as they form a natural frame for the corridor. The camera then pushes in to show Eddie Kim and the security men arriving. (Notice that, at the very last moment, Cho Seung-woo gives a side eye to the camera operator.)


The video below shows how this scene was filmed. Notice that Cho Seung-woo and Park Shin-hye had to move aside as the camera operator moved forward in between them.



I. Shaky cam

Studio Binder in its article titled “The Handheld Shot in Film — Definition and Examples” states:

“The handheld shot is notorious for being the overly shaky cam used in modern action films. But filmmakers have utilized it, tweaked it, and innovated the shot in new ways to help them tell their story. From shaky cams, to shoulder mounts and easy rigs, the handheld shot is a type of shooting that does not rely on a fixed camera position.”

The article lists three reasons why a handheld shot is used: (1) to establish subjectivity; (2) heighten intensity or chaos, and (3) create intimacy between the characters.

(1) In Ep. 6, Tae-sul confronts Chairman Kim when he finds out that their company Quantum & Time has entered into a techonology-transfer agreement with Sigma. Notice the subtle camera shake as he and Chairman Kim argue about the transfer agreement; the shaky cam heightens in the viewer’s mind the tension between them.


(2) In Ep. 11, Seo-hae cries as she thinks that Tae-sul died while trying to save her. Notice the subtle camera shake as she cries after Tae-sul becomes conscious; the shaky cam heightens Seo-hae’s emotions and builds intimacy between them. (To better see the subtle shaky cam, look at the background rather than at Seo-hae or Tae-sul; with the shots of Tae-sul, the shaky cam is almost imperceptible.)


J. Rack focus: an object in the foreground is in focus, while an object in the background is out of focus (or vice versa); the object in the foreground then becomes out of focus, while the object in the background becomes in focus (or vice versa).

Example of rack focus from Ep. 11: Eddie Kim (background) is in focus, while Seo-jin (foreground) is put of focus. Then Eddie Kim becomes out of focus as Seo-jin becomes in focus. About two seconds later, Seo-jin becomes out of focus again as Eddie Kim becomes in focus.


Example of rack focus from Ep. 2: The tomato in the foreground is in focus; as the camera moves to the right, the tomato becomes out of focus, while Seo-hae becomes in focus. (When the camera moves parallel to the subject, it's called a “trucking shot.”)


K. Panning, arc shot, and rack focus

The camera pans (moves on a horizontal axis) from Chairman Kim to Seo-jin; as the camera arcs to the right and as Seo-jin turns to her right, she becomes out of focus, and the family portrait in the background becomes in focus.


L. Miscellaneous observations

(a) This GIF shows Sigma and a Control Bureau officer as they go through a door and walk through the corridor. The shot begins with a bird’s eyeview of them going through the door; as they continue walking, the camera tilts upward to keep them in frame.


(b) This shot begins with the camera pointing upward at the Asia Mart store sign and then tilts down (or is it a pull out?). As the camera starts to push in, Mr. Park’s assistant enters the frame; the camera continues to push in, tracking him. Notice that the camera stops moving once it reaches the door; this makes me think that the camera was on a crane.


This shot reminds me of a somewhat similar shot from “Brilliant Inheritance”:


(c) Tracking shot by drone

In Ep. 5, Seo-hae becomes angry and confused when Tae-sul tells her to live her own life and not bother him. She refuses the money that Tae-sul offers and walks away. As she starts to run, a drone tracks her in between buildings and out into the streets.


Drones have been used in cinematography for several years now because they are far cheaper to use than helicopters; they can also be used in places where a helicopter can’t be used.

The article “Eye in the sky: how drone technology is transforming film-making” (The Guardian, August 2020) says: “The aerial shot has become a cinematic cliche – but French drama Les Misérables gives airborne cameras a powerful new role.” The article describes the 2019 French movie “Les Misérables” directed by Ladj Ly where a young man, who uses a drone to spy on women, accidentally records a crime. The movie won the Jury Prize in the Cannes Film Festival and was nominated for the Oscars. The article concludes: “The film indicates a future for the drone in cinema: as part of the action itself rather than a slick, stylistic embellishment.”

The article compares the movie to Brian De Palma’s 1981 movie “Blow Out” starring John Travolta. In “Blow Out,” John Travolta’s character, a movie sound effects technician, records audio about an assassination.

“Blow Out” was based on Michelangelo Antonioni’s 1966 classic film “Blow Up.” The movie tells the story of a fashion photographer (played by David Hemmings) who thinks that he caught on film a murder in the park. The movie is famous for its enigmatic ending — as two mime artists play tennis in the park, David Hemmings’ character begins to smile. When I first saw “Blow Up” in the late 1970s, I couldn’t understand what it was trying to say, but it piqued my interest in learning how to process black-and-white film and to print pictures in a darkroom. (It was only after I read Francis Schaeffer’s book “Death in the City” did I come to understand what Antonioni was saying in his movie, that is, everything is relative. and that there are no absolute standards in the world.)

M. Things I’m still learning about are the differences between zoom in/zoom out and push in/pull out.

As a photographer, I’m used to zooming in or zooming out of my subject (my favorite zoom lens during my film-based days was the Vivitar 28-200 super zoom lens). Thus, I find it difficult to distingush between zoom in/zoom out and push in/pull out. With the two scenes below, I thought that the cinematographer zoomed out, but a film major told me that these shots are pull outs (with the first scene involving a change in focal length).




Lessons in photography from “Sisyphus: The Myth”

Shallow depth of field, foreground and background blur
Out of focus highlights
Low angle shot, juxtaposition
Background blur
Low angle shot, shooting against the light
Dutch angle, leading lines
Sidelighting, background blur
Low angle shot, Dutch angle
Low angle shot
Warm colors, foreground and background blur
Dutch angle or Dutch tilt
Lens flare
Dutch angle or Dutch tilt
Lens flare, keystoning
Sidelighting, background blur

Reflections
Baroque diagonal (Dynamic Symmetry)
Lines of direction, background blur
Compressed perspective, background blur
Dutch angle or Dutch tilt
Dutch angle or Dutch tilt
Low angle shot
Baroque diagonal (Dynamic Symmetry)
Extreme close-up, Dutch angle or Dutch tilt